So, last time I went through the first couple of days of the Christmas event and detailed how the plaster of Paris mould was made ready for casting the sugar figure. The next stage of the plan was to follow the instructions in the Platt recipe for casting in plaster moulds and soak the mould in water; whilst this was happening there would be a little experimentation with boiling sugar and then about three-quarters of the way through day three the mould would be dried, put together, filled with boiling sugar and an attempt made at casting the first figure. Meanwhile, another part of the team would make a second mould from the wooden former in case things went awry with the casting in the first and it became unusable or broken in some way….well they were what I thought the plans were at least.
One of my major failings is that because I live with the planning for so much longer than the rest of the team I can never remember if I’ve passed on all the details to them, or if I just think I have! Posting a blog post with all the details in is one thing, but did I actually remember to tell all of the team these details? Either way, the result was the same and over the course of day 2 and through the evening it became clear that Adrian and Jorge had decided to forge another path. Yes a second mould would be made but there would be no casting with boiled sugar…worries and doubts had set in and they felt much more confident in trying to get a full, press moulded figure out made from sugar paste and then work up to the cast boiled sugar…so much for go large or go home!
The first thing they decided to do was make a second plaster mould, but this time they would use one half of the first mould to cast against rather than the clay. This meant the wooden figure was placed back into one half of the mould and then the whole exposed surface, wood and plaster, was then coated liberally with the tallow & oil mixture.
This was then coated in plaster exactly as before and when set, the original half was removed and the mould finished exactly as with the original…though in this case it contained a few more air bubbles than the first attempt and these needed to be filled with some putty consistency plaster after the fact
While Elly and Jorge were working on this, Adrian was working on some test pressings before steeling himself for a full on queen.
The sugar paste used was a rough and ready variation of the recipe from Ruscelli’s “The secrets of the reverend Maister Alexis of Piemont“ 1
all the ingredients were there, just not necessarily in the same order or quantities. Once made, and as Adrian started to fill the front half of the mould, it became clear that it would take an awful lot more paste to fill the entire mould…good job this was just a test. He decided to push the boat out…and push his luck, by trying for a complete front of the figure, and to make it a bit more flash, he used some of the marchpane that Zak had been making with various visitors, to give some colour and pizzaz to the face and hands. These parts of the mould were filled and then the rest had the standard sugar paste pressed into it at around 10-30 mm thick depending on both a) what was needed and b) what past was left, having started at the head and worked down. The results were pretty damn impressive, if a little flimsy…and this at least would give people the idea of what was being attempted.
With some more marchpane and sugar paste, Adrian finished off the day seeing how much material he was going to require to press out an entire figure
Once the mould was separated, the results were encouraging…even if it wasn’t the boiled sugar I had hoped for.
…and so finished day 3.
In an ideal world, day 4 would have seen the press moulding done and finished with nice and early and thence they would have moved on to the real deal, the boiled sugar. Unfortunately, it wasn’t to be so, only this time it was most definitely my fault! A previously booked and unchangeable appointment meant I would be away from the Kitchen for the bulk of the day, the instructions I left…under no circumstances do anything interesting or adventurous as there wouldn’t be anyone there to record it! I HAD to leave by 12.00 and absolutely no later in order to make the appointment, so anything interesting had to be done PDQ at the start of the day…Adrian did not disappoint!
First mission…paste…lots of sugar paste
Once the paste was made, it was simply a case of packing it into the plaster mould
and then closing the two halves together…with some vigour
From this point on things got a bit…well, physical, with an awful lot of grunting and groaning from Adrian as he tried to force more paste into the mould so that all the detail was filled and there was sufficient wall thickness for the whole to not sag and droop when it was finished.
It turned out that without a solid base though there was little chance of the figure standing upright upon removal from the mould, so Adrian made a base out of a hastily made batch of paste and used this to seal the bottom of the skirts, the void now being packed full of flour to hold her steady when she was complete.
All it took then was a little bit of fiddling and the first half of the mould popped off a treat. This meant Adrian could do a quick tidy up around the join while the figure was still supported by the back half of the mould as he wanted to avoid excessive amounts of handling until the paste had hardened a little
Then with the deft hand of a master…as well as a little shaking, cajoling and a healthy dose of luck, out popped the Sugar Queen!
I think the voice of the child watching from Adrian’s elbow said it all…”Oh my God! Wow!”
By now it was 12.30…and I was VERY late!
As I sprinted out of the Kitchen my parting words were once again…”Don’t do anything interesting!” and with that I was away for the afternoon. So what did I find on my return? Turns out they’d been quite busy…
…and that’s how day 4 finished.
Had they chosen to, the surface of the figures could have been smoothed out quite a bit before the paste set and that would have removed all of the cracks and imperfections, but to be honest, I don’t think anyone cared. They’d managed to get two fairly impressively large figures made and run through the process in front of a couple of thousand visitors plus several thousand more online…they deserved a beer…or two!
Next post…the last two days of the event and finally some boiled sugar casting!
As always, comments gratefully received, and once again, some of the images will expand to a larger size if you click on them, so give that a go if you want to see some more detail.
- Girolamo Ruscelli, The secrets of the reverend Maister Alexis of Piemont : containing excellent remedies against diverse diseases, wounds, and other accidents, with the maner to make distillations, parfumes, confitures, dying, colours, fusions, and meltings …, trans. by William Ward (London: Thomas Wright, 1595) (p. 61). ↩